DaVinci Resolve in brief
DaVinci Resolve began as a high-end color grading system that Blackmagic Design acquired in 2009, and it has grown into a full post-production suite for Windows, macOS and Linux, with an iPad version. It combines separate pages for media, cut, edit, Fusion visual effects, color, Fairlight audio and delivery in one app. Hollywood colorists have long used it for grading, and its free tier has made it a common first editor for students and YouTubers. DaVinci Resolve 21 was released on June 3, 2026, after a beta that began at NAB in April. Its headline addition is a Photo page that applies Resolve's color tools to still images, plus more than 100 new motion graphics effects.
A project moves left to right through the pages. Footage is organized on the media page, cut quickly on the cut page or in detail on the edit timeline, then passed to Fusion for compositing, the color page for node-based grading, and Fairlight for mixing and sound design. Collaboration lets several editors, colorists and audio engineers work on the same project at once through a shared database or Blackmagic Cloud. Hardware panels, from editor keyboards to full Fairlight consoles, plug into the same workflow. Because one file covers every stage, there is no round-tripping between separate apps as there is between Premiere, After Effects and Audition.
Resolve's drawbacks are hardware demands and a learning curve. It leans heavily on the GPU, and long-GOP footage from phones can stutter on modest laptops without proxy files. The node-based color page and Fusion's node graph take time to learn. Adobe Premiere fits editors tied to After Effects, Photoshop and Frame.io, and offers generative tools such as Generative Extend that Resolve does not. Final Cut Pro is faster on Apple Silicon and costs $299 once, but runs only on Macs. CapCut is quicker for short social clips. Pick Resolve if you want professional editing and grading without a subscription, or if color work matters most.